Why did I not post this video two years ago, when it was a little more relevant?
Probably because I was a lazy-arsed slacker, that’s why.
If anyone out there at Discovery, TLC or PBS wants to make this into a real series with me, just say the word and a beautifully polished proposal is in your mail box, ready for shinier, bigger adventures.
Dear World Wide Web,
It’s been far too long since I’ve paid any attention to my website.
It’s been a long time of settling in to new work, new direction, and a new city. I’m still feeling a bit of a creative lull since all of the upheaval of the last chapter, but I’m counting on it being the creative equivalent of a long, REM nap — the kind you wake up from, feeling like Jello and thinking, “Wow, I must have reeeeally needed that.” (And a creative lull for me means that I’m only working on one project at a time, not 7.)
I’ve rented out my cozy Hamilton home and moved to the capital of this great country, Ottawa Ontario, Canada. For the last six months I’ve been an Animation Supervisor for one of the very best kids’ shows on television today (Sure, I’m a little biased, but ratings don’t lie either!)
Wild Kratts is the animated series by Chris and Martin Kratt -“The Kratt Brothers”- who are more widely known for their success in creating, “Zoboomafoo”, “Kratt’s Creatures” and “Be The Creature”. Their in-house presence in the studio really brings a great life to the work place, along with an amazing and wise-beyond-his-years director, Simon Paquette, and so many other open and caring crew members. It’s a creative environment you don’t often come across in the work place — the the sort of personality that SHOULD be present in every art studio. I’ve always said that the personality of leadership trickles down through any organization, and this place happens to be caring, wise, quick to laugh, and slow to anger. That says a lot to me about the individuals.
On another note, we have studio pets:
Meet two of the three lobby Turtles, Tortuga and Tortilla:
I’m still working on getting together my new street performance project, Faunus, which, while becoming more and more realistic looking and coming together as a character, still has a long way to go in functional reverse-stilt construction. I’ve had to pass that job on to a real stilt-maker. While that gets dreamed up better, a fellow Animation Supervisor in the cubical next to mine, artist, Jason Hall, is working on real Warrior Princess armour for Faunus. She is going to be a strong matriarch of wherever it is she comes from.
On the Franken Toy front, I’ve temporarily pulled the plug on them. I have some serious carpal tunnel syndrom and complex tendinitis (also the reason I’ve switched gears in street performance, from chalk art to Faunus). And although the toys have been my best viral works of art to date, I can’t justify the strain they put on me and on my chances of healing.
I may get back into them when I’m not already doing so much with my arms, but until then they’ll just be a lovely bunch of photographs for people to blog about. And maybe the occasional personal gift.
That said, it is official that the Kratt Brothers love Franken Toys:
So much so that Chris (seen above with a gifted Wild Kratts Franken Creature) bought Robo Reggie for one of his sons.
So… I suppose that’s all I’ve got to post for today. I’ve finally gotten another great job, I’ve managed to keep my house and my two cats, and in one month I’ll be moving into a cute, little apartment right in the heart of down town Ottawa where I look forward to being able to paint again. I`ve still got goals and plans, but I refuse to have expectations. Six months ago I did not see myself here. But being here now – it`s a good thing.
PS: I`ve also started taking roller derby lessons with the Capital City Derby Dolls. So don`t mess with me. I`ll crap you up good!