I think I enjoyed this weekend’s Dundas Busker Festival on a new level than others I’ve been involved with. This is the first time I’ve festivalled at home. It felt pretty great. It’s very surreal to be working a festival and see people you know. I even met old childhood friends I hadn’t seen for nearly a decade.
I liked it.
It was a really great festival for meeting more performer friends, comparing some of them to their online forum personalities, and thoroughly enjoying the Fast Horse Family. Judy Boswell, Paul Maskell and all others involved were really great to festival with and it’s apparent that they love doing it (one should never run a festival if they don’t love doing it. It’s a festival!)
I met some great people this year.
My chalk drawing ~ I chose a strange piece of pavement. I chose it for location, but as soon as I had committed myself with my fat, black outlines I realized the texture was going to be a challenge. What I lacked in detail due to bumpiness, I think I made up for in size and sheer audacity. I hope to do this piece again soon so that I can get in all the shiny spots, gleams and colours I wasn’t able to accomplish this weekend.
But here we are:
I seem to have mastered the pre-teen boy demographic. Chalk time is the only time I’m ever cool with tweens. For young teens to actually give me real money is a huge compliment and success. …they don’t usually think to give that stuff away.
One young girl came along, looked at the piece and said, “Oooooooh, I get it.”
I took a beautiful double take and said, “You DO?? …Oh. I see. Well, I guess I’m glad someone does.”
Another woman insisted for some time that it was a 3D chalk piece, like the kind she’s seen on the internet.
I told her it wasn’t that sort of drawing, but she told me that, yes, it absolutely was. I’d like to know what medication she’s taking, but I’m glad she appreciated it on a level that didn’t even exist.
“Monkey On My Back”