Although insecurities abound, I am about to post my first introductory video blog (I prefer to call them “micro-docs”, because it sounds less like I’m an A.D.D. preteen with a cam-quarter and a hanging sheet).
Tonight I’m heading out on a Greyhound bus. I’m about to purchase a Greyhound Discovery Pass, which, for $500, will let me get on and off anywhere in North America for two months, except for Alaska and Newfoundland. While I realize Newfoundland is in the ocean, I’m not sure why they exclude Alaska.
I’ll be trying to “micro-document” every day of my trip, but don’t expect to see those videos for some time. I want to be able to upload them consistently, and I can’t count on having wi-fi everywhere I go. To avoid the stress of expectations (even if they’re only my own expectations), I’m going to hold off on the uploads until I can do it daily. Which means they might not start flowing in for two months.
Enjoy. …I hope for future blogs to not be nearly as cheesy. My eyebrows seem to have a mind of their own.
The beginning of this trip is dedicated to friend and fellow adventure seeker, Paul Quarrington, who went on his final adventure Jan 21, 2010. Here’s to the next chapter, Q-Tip.
I’ll soon be off to Newfoundland for the 20th St. John’s International Women’s Film Festival.
This year I’ll be moderating another kids’ workshop and I’ve created another opening “signature film” for the 2009 festival screenings.
In the merry month of July I had the privilege of running another animation workshop with the St. John’s Int. Women’s Film Festival’s FRAMED Workshops and “For The Love of Learning”. Over four days, this group of young adults practiced flip books, took turns at experiencing animating and flipping pages on light tables, watched some classic films, and then created a group film in stop-motion animation.
Our animation directors included:
Erin Power Granter (best name EVER)
Workshop assistants: Stephen Dunn, Karyn Dwyer
My [now annual] excursion to St. John’s NFLD was, as usual, a lovely time. I’ve found that in every trip to The Rock I seem to get tricked into being educated, in some way or another. This year at the St. John’s Int. Women’s Film Festival was no exception. From Irish sailors stopping in to port, to films about Holy Heart High School, to dark comedies about Newfoundland life — everything seems to be crammed full of culture. Everything also seems to be uphill and against the rain.
I ate cod tongue.
I have yet to be screeched in.
I spent Oct. 11th and 12th with seven junior high students, creating animation flipbooks and claymation shorts for the festival-sponsored workshop, “2D in 2Days”. I was truly impressed by the quality and understanding of animation these guys achieved in only two days and it excited me to try the workshop again. I had planned it all out two years ago, but this was my first time seeing it through to fruition.
The morning of Sunday, Oct 12th was spent in the CBC radio studio, with Angel Antle, on the Weekend Arts Magazine, talking of workshops, festivals, films (specifically mine, “Nagasaki Circus”) and fire eating.
Then, a little break and on to the festival! I actually got rather distracted during most of the festival and missed a great deal of the films and workshops I had wanted to attend. I ended up starting a flipbook of my own, having been inspired by my kids from the previous week, and I hid away for most of the week.
“Nagasaki Circus” screened on the 17th with the Moving Stories Film Festival, within the St. John’s Festival — A festival within a festival. Like an onion. Or a parfait.
Luckily, I missed my flight home because I was too busy dancing atop of Signal Hill with filmmaker, Irene Duma, so I was able to attend the closing ceremonies and the after party where I was able to meet people I had hidden from all week and shove some helium balloons down my shirt. See? It all works out.
I then garnered a solid three hours of sleep, woke up while the others were still wrapping up the party, and I caught my next flight off that precious stone.
Here’s what you should expect next:
I will be on the panel of one of these masterclasses, “Animating Books: From Page to Screen”
Come to the screening Wednesday, October 22, 7:00 PM, at Library and Archives Canada, 395 Wellington Street
Tickets, passes and info: 613.562.1243.
The brilliantly written and puppeted “Nagasaki Circus” will be screened, along with many others, including Paul Quarrington’s “Pavane”, which is a short adaptation of (or alternate angle to) his latest Gillar long-listed novel, “The Ravine”.
The “Animating Books: From Page to Screen” masterclass with Rachel Peters and Gary Thomas, Hosted by Chris Robinson, and Presented with the Ottawa Animation Festival will be held Thursday, October 23, 6:00 PM.
For more information about the Writers’ Festival and all of its events, visit: www.writersfestival.org
I’ve got MY bus ticket. Do you?